When Calixto Neto heard the music of the Black gay composer, singer, and performer Julius Eastman (New York, 1940–1990) during a rehearsal in 2019, it turned out to be love at first hearing. Eastman left his mark on the downtown New York art scene and American minimalist music, but lost a large portion of his compositions during an eviction from his apartment in Manhattan. Today his oeuvre is being rediscovered and – finally – posthumously recognized. 

Calixto Neto, whose work focuses on lives on the margins of society and their unique journeys, has initiated a creative dialogue with this immense and politically powerful work. The stage transforms into a safe haven, a territory of complicity between living bodies. A temporary Maroon community, bringing together queer artists, artists of colour or those with a migrant background. A symbolic family in honour of the musician who dreamed of being ‘freely gay, black and a musician’.

Raw sounds, burning energy and physical dialogues. Bruits Marrons is an attempt to listen beyond the audible, to look beyond the visible. A journey through the rubble left behind by history, in search of new forms of community, renewal and healing. A celebration of the Maroon heritage and its ability to make resistance enchanting once more through beauty, anger and vibration.

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